Sony BRAVIA
Context:
Working on the Sony account at Modem Media/Publicis, we received a request to create print assets – also to be used digitally – for the upcoming holiday season campaign. They asked that we use visual elements created by one of their other agencies, Fallon, for their new European broadcast spot for their latest line of BRAVIA™ televisions, which they would be shooting in San Francisco.
Contribution:
I was on-set for the shoot, working with my partner to compile a visual wishlist of the imagery we wanted for the work we were creating. Once produced, I wrote the copy for the print assets, primarily focused on punching up the individual product copy in a way that would seamlessly tie in with the Fallon work, which, if you're familiar with, used a song, four words, and the product name to say it all. Writing tie-in copy was the challenge I successfully met, even though those balls would always have the final word no matter the medium.
Impact:
BRAVIA holiday sales surpassed revenue expectations by >24% in North America that year
In the UK, the Sony BRAVIA line became the #1 top-selling line of televisions that year – not seen since the introduction of their Trinitron technology in 1968
My involvement was the biggest motivator of my career for discovering new and innovative ways to push for and present attention-grabbing creativity with genuine delight
Breaking some eggs to make the omelet.
Did releasing 250,000 DayGlo bouncy balls down some of the steepest streets in North America make a mess? When young kids ask this question, I love it because they equate it with cleaning their rooms. Twelve-year-olds fishing for insights to optimize the full potential of their mess-making abilities? Beasts! More of those, please. But yes, it made a big, beautiful mess. Big enough that the spot has earned its place as one of the best commercials of the new millennium's first decade. Now go clean your room and stop asking me silly questions.
The referenced spot:
Also deserving of their flowers were the clean-up & retrieval teams on the crew, the neighborhood kids who volunteered, and even the dog who bit me during a failed attempt to retrieve his new chew toys.
Agency: Fallon
Director: Nicolai Fugslig
Producers: Nicky Barnes, Nellie Jordan
Creatives: Juan Cabral, Richard Flintham
Production Co.: MJZ
Post & Editing: The Whitehouse
Editor: Russell Icke
VFX & Design: The Mill
Music: "Heartbeats," performed by Jose Gonzales